Products related to Narrative:
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Narrative Inquiry in Language Teaching and Learning Research
Narrative Inquiry in Language Teaching and Learning Research is the only entry-level introduction to research methods using stories, either as data or as a means of presenting findings, and a practical guide for those interested in carrying out narrative studies. This successful text is grounded in published empirical research within the field of language teaching and learning and clearly defines basic concepts in narrative inquiry, explaining how and why narrative methods have been used in language teaching and learning research and outlining different choices and approaches.It also examines the different ways of eliciting, analyzing, and presenting narrative inquiry data, which offers exciting prospects for language teaching and learning research.This second edition has been fully revised and updated to reflect the latest research and includes new sections on multimodal digital narrative research and the reporting of findings in dissertations and theses. This original and well-respected textbook is an ideal course book for specialist courses on narrative inquiry in language teaching and learning.It is an excellent entry-level text for undergraduate students preparing honours projects, postgraduate masters’ and doctoral students embarking on narrative projects, and more advanced researchers seeking to understand the role of narrative inquiry in language teaching and learning research.It is also the go-to choice as a reference on narrative in more general applied linguistics research methodology courses.
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America : A Narrative History
America: A Narrative History puts narrative front and centre with David Shi’s rich storytelling style, colourful biographical sketches and vivid first-person quotations.The new editions further reflect the state of our history and society by continuing to incorporate diverse voices into the narrative with new coverage of the Latino/a experience as well as enhanced coverage of gender, African American, Native American, immigration and LGBTQ history.With dynamic digital tools, including the InQuizitive adaptive learning tool, and new digital activities focused on primary and secondary sources, America: A Narrative History gives students regular opportunities to engage with the story and build critical history skills.
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Invented History, Fabricated Power : The Narrative Shaping of Civilization and Culture
Invented History, Fabricated Power begins with an examination of prehistoric beliefs (in spirits, souls, mana, orenda) that provided personal explanation and power through ritual and shamanism among tribal peoples.On this foundation, spiritual power evolved into various kinds of divine sanction for kings and emperors (Sumerian, Egyptian, Greek, Roman, Indian, Chinese and Japanese).As kingships expanded into empires, fictional histories and millennia-long genealogies developed that portrayed imperial superiority and greatness.Supernatural events and miracles were attached to religious founders (Hebrew, Hindu, Buddhist, Christian, Islamic).A unique variation developed in the Roman Church which fabricated papal power through forgeries in the first millennium CE and the later “doctrine of discovery” which authorized European domination and conquest around the world during the Age of Exploration.Elaborate fabrications continued with epic histories and literary cycles from the Persians, Ethiopians, Franks, British, Portuguese, and Iroquois Indians.Both Marxists and Nazis created doctrinal texts which passed for economic or political explanations but were in fact self-aggrandizing narratives that eventually collapsed.The book ends with the idealistic goals of the current liberal democratic way of life, pointing to its limitations as a sustaining narrative, along with numerous problems threatening its viability over the long term.
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Cambridge Topics in English Language Narrative
Essential study guides for the future linguist. Narrative is an introduction to the ways we use language to tell stories.It is suitable for advanced level students and beyond.Written with input from the Cambridge English Corpus, it explores texts from a range of genres, mediums and periods, written for different audiences and purposes.This includes examples such as hard news stories, narratives from children and examples from Twitter.Using short activities to help explain analysis methods, this book guides students through major modern issues and concepts.It summarises key concerns and modern findings, while providing inspiration for language investigations and non-examined assessments (NEAs) with research suggestions.
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What is the difference between history and narrative?
History is the study of past events and their impact on society, based on factual evidence and scholarly research. It aims to provide an accurate and objective account of what happened in the past. On the other hand, a narrative is a story or account of events, often with a particular perspective or interpretation. While history seeks to uncover the truth through rigorous analysis, a narrative may be shaped by the storyteller's biases, beliefs, and intentions. In essence, history is the objective study of the past, while a narrative is a subjective retelling of events.
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What is the difference between narrative form and narrative perspective?
Narrative form refers to the structure and style in which a story is presented, including elements such as plot, setting, and character development. Narrative perspective, on the other hand, refers to the point of view from which the story is told. This can include first person, second person, or third person perspectives, and can also involve the use of unreliable or omniscient narrators. In essence, narrative form encompasses the overall structure and organization of the story, while narrative perspective focuses on the specific viewpoint from which the story is being told.
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What are narrative threads?
Narrative threads are the different storylines or plot elements that run through a piece of writing or a work of art. These threads help to weave together the overall narrative and create a cohesive and engaging story for the audience. By following these threads, readers or viewers can track the development of characters, conflicts, and themes throughout the work. Narrative threads can intersect, diverge, or come together to create a complex and multi-layered storytelling experience.
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What is the difference between a frame narrative and an embedded narrative?
A frame narrative is a story within a story where an overarching narrative serves as a frame for one or more smaller stories. The frame narrative provides context and structure for the embedded narratives. On the other hand, an embedded narrative is a smaller story that is contained within a larger narrative. It is usually used to provide additional depth or background information to the main story.
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A History of Narrative Film
Sophisticated in its analytical content, current in its coverage and informed throughout by fascinating historical and cultural contexts, A History of Narrative Film is one of the most respected and widely read texts in film studies.This fifth edition features a new chapter on twenty-first century film and includes refreshed coverage of contemporary digital production, distribution and consumption of film.Now 20% shorter, with new four-colour design and an updated art programme, A History of Narrative Film is also the only film history text available as an ebook.
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American Women's History : A New Narrative History
Offers a nuanced account of the multiple aspects of women’s lives and their roles in American society American Women's History presents a comprehensive survey of women's experience in the U.S. and North America from pre-European contact to the present.Centering women of color and incorporating issues of sexuality and gender, this student-friendly textbook draws from cutting-edge scholarship to provide a more inclusive and complicated perspective on the conventional narrative of U.S. women’s history. Throughout the text, the authors highlight diverse voices such as Matoaka (Pocahontas), Hilletie van Olinda, Margaret Sanger, and Annelle Ponder.Arranged chronologically, American Women's History explores the major turning points in American women’s history while exploring various contexts surrounding race, work, politics, activism, and the construction of self.Concise chapters cover a uniquely wide range of topics, such as the roles of Indigenous women in North American cultures, the ways women participated in the American Revolution, the lives of women of color in the antebellum South and their experiences with slave resistance and rebellion, the radical transformation brought on by Black women during Reconstruction, the activism of women before and after suffrage was won, and more.Discusses how Indigenous women navigated cross-cultural contact and resisted assimilation efforts after the arrival of EuropeansConsiders the construction of Black female bodies and the implications of the slave trade in the AmericasAddresses the cultural shifts, demographic changes, and women’s rights movements of the early twentieth centuryHighlights women’s participation in movements for civil rights, workplace justice, and equal educational opportunitiesExplores the feminist movement and its accomplishments, the rise of anti-feminism, and women’s influence on the modern political landscapeDesigned for both one- and two-semester U.S. history courses, American Women's History is an ideal resource for instructors looking for a streamlined textbook that will complement existing primary sources that work well in their classes.Due to its focus on women of color, it is particularly valuable for community colleges and other institutions with diverse student populations.
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Australia 1901 - 2001 : A Narrative History
‘So tightly packed were the crowds lining Sydney’s streets on 1 January 1901 that they resembled a dense well-tended hedge.Early morning showers had followed a thunderstorm the previous evening and many carried umbrellas as they waited for the procession.Planning for this New Year’s Day had been going on in earnest for about three and a half months, after Queen Victoria had declared it to be the day upon which the Commonwealth of Australia would come into being.’Andrew Tink’s superb book tells the story of Australia in the 20th century, from Federation to the Sydney 2000 Olympics.It was a century marked by the trauma of war and the despair of the depression, balanced by extraordinary achievements in sport, science and the arts. Tink’s story is driven by people, whether they be prime ministers, soldiers, shopkeepers, singers, footballers or farmers; men or women, Australian born, immigrant or Aborigine.He brings the decades to life, writing with empathy, humour and insight to create a narrative that is as entertaining as it is illuminating.
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Narrative
Human beings have constantly told stories, presented events and placed the world into narrative form.This activity suggests a very basic way of looking at the world, yet, this book argues, even the most seemingly simple of stories is embedded in a complex network of relations.Paul Cobley traces these relations, considering the ways in which humans have employed narrative over the centuries to ‘re-present’ time, space and identity. This second, revised and fully updated edition of the successful guidebook to narrative covers a range of narrative forms and their historical development from early oral and literate forms through to contemporary digital media, encompassing Hellenic and Hebraic foundations, the rise of the novel, realist representations, narratives of imperialism, modernism, cinema, postmodernism and new technologies.A final chapter reviews the way that narrative theory in the last decade has re-orientated definitions of narrative. Written in a clear, engaging style and featuring an extensive glossary of terms, this is the essential introduction to the history and theory of narrative.
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What is the narrative style and narrative perspective in "Holes" by Louis Sachar?
The narrative style in "Holes" by Louis Sachar is straightforward and engaging, with a focus on the present events and the characters' experiences. The story is told in a linear fashion, with a clear cause-and-effect structure that keeps the reader engaged. The narrative perspective is third person omniscient, allowing the reader to gain insight into the thoughts and feelings of multiple characters, which adds depth to the storytelling. This perspective also allows the reader to see how the different characters' stories intertwine and impact each other.
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What narrative perspective does the book Night School have?
The book Night School is written in the first-person narrative perspective. The story is told from the point of view of the main character, Jack Reacher, allowing readers to experience the events and mysteries of the plot through his eyes. This narrative style creates a sense of intimacy and immediacy, drawing readers into Reacher's world and his thoughts as he navigates through the challenges he faces.
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What narrative perspective is this?
This is a first-person narrative perspective, as the narrator is telling the story from their own point of view using "I" and "me." This allows the reader to experience the events and emotions of the story through the narrator's personal lens, providing a more intimate and subjective understanding of the events.
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Which narrative perspective is this?
This is written in the first-person narrative perspective, as the narrator uses pronouns like "I" and "my" to tell the story from their own point of view. This perspective allows the reader to directly experience the thoughts, feelings, and experiences of the narrator, creating a more intimate and personal connection with the story.
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